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Everratic

391 Audio Reviews w/ Response

All 540 Reviews

This is a VGM Challenge review.

Composition:
The first section effectively established a cold, eerie atmosphere. It seems like the character is moving with stealth; the song's ominous vibes hint that his life could end at any moment. The introduction of the choir adds more tension and suggests a greater state of danger. At 3:08, it seems the character is realizing that he will get caught and begins panicking. He indeed gets caught. The climax is appropriately chaotic and effectively conveys a sense of great danger. I really like the rhythms and choices of percussion. I'm not so fond of the very ending as it's quite ambiguous, and not in a way that seems deliberate. The loud tubular bell feels arbitrary to me.

Production:
You created a fantastic atmosphere that I believe would lend itself well to an immersive video game experience. Some elements, such as the pluck synth at 2:52, stick out for being too dry. When I created this challenge, I assumed all the submissions would be primarily orchestral, especially considered the Skyrim influence, so I'm glad you took a different approach. I would have never imagined hearing a track like this one, but it works!

Utility:
I find it difficult to see how this song would be implemented in an actual video game. It effectively tells a story based on the events in this theoretical game, but as you know, video games are not movies. I can't imagine how this track would fit with a player experience that has many variables, and I can't think of many cut scenes that are this long. This is not a critique per se - I just felt that I should point it out given the nature of the event.

Thanks for participating, and keep up the nice work!

CryNN responds:

Thanks for the review! It was a fun experience

I love the sound design and expression of the leads. You masterfully changed the timbre and vibrato overtime and varied the articulations of the leads like a musician would with an instrument. Nice work!

johnfn responds:

Thank you! You know how much I love vibrato and pitch bend and articulation stuff!

The piano and guitar playing sound lovely. This is pretty relaxing to listen to.

Jumbs responds:

Yerrrr Everratic! Thank you so much dude, I'm happy to hear about the relaxing vibe :> I've been listening to Jobim for the past week to channel that feeling

The piano and harp playing is lovely. I like the structure, and the climactic sections have a magical, mysterious vibe. I think the solo violin needs a lot of treatment, particularly dynamic EQ. Moving the composition down a few semitones could also help alleviate that harsh, piercing sound quality.

FateModified responds:

Thanks! That’s a great idea to automate the EQ. I think I’ve only ever tried that in a couple of my songs, and they were EDM type songs. I never thought to try that on “natural” instrument VSTs like the JBV for some reason. Thanks for the tips! :)

This is one of your best songs! It sounds really professional and makes me feel like I'm playing an intense turn-based battle in a rpg.

AceMantra responds:

Thanks so much! I'm glad you like it.

The atmosphere you created is impressive and fits the theme perfectly. There's a lot of detail with regards to the sounds. This is the type of game music that can truly immerse one in the environment without standing out and drawing attention to itself. Higher quality instruments would be nice of course, but due to the nature of the song, the quality of your orchestral instruments isn't really an issue.

gnatmuse responds:

Thank you for the feedback! I took a lot of care in crafting this piece. I wanted it to be able to stand on its own as well as in a game. :)

This is very catchy. I love the sound design. The transition at 2:17 is awesome.

Preds responds:

Thank you man!

I like the composition a lot so far! It’s so peaceful — I’m interested in how that might change.

The solo woodwind sounds very dry and raw compared to the strings, which are very wet. Maybe if the woodwind has mic positions, adding more of the hall sound can help. If it’s totally dry, then a good early reflections reverb instance can help.

Codefreq responds:

First, thank you so much for taking the time to review this. I’ll keep your feedback in mind when I do the main submission.

Second, due to the fact that this is not the final submission, coupled with me getting swamped with other things, I didn’t spend as much time mixing and writing as I could have or would have liked.

I’m looking forward to when I will be able to show you my final submission, rather than just WIPs. ;)

I love it! It's so warm and romantic.

trevor8 responds:

thank you!

I like the varying moods throughout the composition; it changes from sounding serious and intense to calm and uplifting. There's a lot of detail in the sound design, which feels futuristic. The loop is a nice touch and the transition is well-executed. I hope this gets front paged :)

Hypervolt responds:

Thanks for all the feedback! This was super fun to make. I am eager to see what other artists have entered :)

Hi. I'm an orchestral composer. For commissions and other inquiries, contact me here or at everratc@gmail.com

Ralph B. @Everratic

Age 28

New York

Joined on 10/9/10

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