The composition is lovely. Although the violin does indeed have too much vibrato sometimes, it has a lot of character and expression and works quite well.
I would have been content with the track concluding without this final section. It feels incongruent and forced.
You have an extremely good foundation that can be developed into one of your best songs with care. I encourage you to continue working on this :)
I have to agree on this honestly haha. The original theme ends without even repeating and I kinda extended it for the sake of it. And yeah, I mean that ending bit could work but it needs more time to develop the emotion towards that point and also improve the overall arrangement/orchestration. Anyway, thanks for listening!
House isn't my cup of tea but this is enjoyable :)
The melody is catchy and I like the vocals and sound design :D
This is very relaxing and nostalgic, nice work!
The orchestration is lovely as usual, and I like the themes. It has strong John Williams vibes.
I think the main area for improvement is creating a more believable accoustic space. Most instruments sound close-mic'd or modeled, and there's no reliable substitute for the sound of samples recorded in a hall. Close microphones capture more information from the instrument than distant mics, and it's this extra information that tells our ears that the instrument is right in front of us rather than on an orchestral stage in a nice hall. The drums are the worst offenders - they sound totally dry. I'm sure you can improve the sound with plug ins, but having a "wet" library would be much more effective.
Also be careful about repeated samples in quick succession - this can easily give your song a very mock-up-y sound. Sometimes it's unavoidable, but there are often workarounds.
Thanks dude :) I know about all of that and actually the dry taikos were exactly what I wanted haha. Cinematic music is often varied in mixing styles. I also did use first chairs libraries on top of instrument sections and I have modified my libraries mic presets based on different soundtracks, I prefer the close mics as well since the gigantic industrial type of sound is not what I was looking for. The main problem you are probably detecting is the lack of a hall convo reverb that glues everything together, and I agree haha. But cinematic is not a synonym of realism. Different acoustic spaces are often utilized. That doesn't mean my mix is perfect, it's way far from it since I didn't even got to the mixing process xD That also applies for the repeated samples you might be hearing. Most of the time Im making this type of music is spent getting the instruments to sound somewhat acceptable for the kind of arrangements I'm giving them. I could make music that suits the libraries better but that won't teach me anything besides being like everyone else in the orchestral cinematic industry. I rather have a couple of artificial samples than spending 30 hours and losing my mind about em. Anyway to wrap this up, I do understand what you mean but I'm chosing to go the opposite way, a closer mic to get that uncanny sense of realism instead of hiding it in reverb.
The mix sounds very pleasant at any particular moment, but I find it a little fatiguing after listening to the full song. Consider making deeper cuts between 2-4k hz on some of the leads.
The sound design is solid, and the track is constantly stimulating. I like the use of sound effects. This genre isn't my cup of tea so I don't have more to add. Nice work!
yeah I can hear where you're getting at (wish I would have made some adjustments before the deadline but whatevs). Glad you liked it!
This is extremely fun to listen to :D
Glad you liked it! I'll be listening to yours in a bit :)
This is my favorite cover of this song <3
Yooo, thanks you for your kind words. Speaking of your reply to my comment and dynamic EQs, TDR Nova was crucial in taming those wompy frequencies in the rhodes. Bass range sure can be a wild beast.
It's so beautiful <3
Hi Everratic! Glad you think so. Doubt creeps in between the time of creation and publishing.
This is very fun to listen to!
Hi. I'm an orchestral composer. For commissions and other inquiries, contact me here or at everratc@gmail.com
Age 28
New York
Joined on 10/9/10
Oruga - ADM'22 Round 4 
Hunt 
The Great Autumn Social 
Feelin Fine 
Inquisition - ADM'22 Round 3 
SpeedRunning - NGADM Round 2 
Village Fest - NGADM Round 2 
SM64 Cover | Jolly Roger Bay on Rhodes 
In the way everlasting 
ADM Round 1 - Vibin Out 
